THOR Hammer SE-9 Omnidirectional Headset Microphone - Black

• Pastors, and speakers at churches of any size
• Keynote presenters and corporate speakers
• Teachers and professors in classroom or auditorium settings
• Theater performers and stage actors
• Broadcast hosts and on-camera talent
• Conference and event speakers who move around on stage
• Livestreaming and video production environments
• Production teams managing multiple wireless microphone channels
• Schools and universities with performing arts programs

• Wireless microphone for weekly church services and worship events
• Hands-free microphone for presenters at conferences and corporate events
• Stage microphone for theatrical productions and musicals
• Broadcast and video production where a low-profile headset is preferred over a lavalier
• Classroom microphone for teachers who move around while speaking
• Backup or spare headset microphone in a production environment with multiple transmitters

• Wired microphone applications - this is designed as a bodypack transmitter headset, not a standalone wired mic
• Recording studios or acoustic environments where a cardioid or supercardioid pattern would be preferred for isolation

• Position the capsule correctly: For best results, position the microphone capsule at the corner of the mouth, slightly off to the side. This placement reduces plosive sounds (the popping on P and B sounds) while still capturing a full, natural voice. Avoid pointing the capsule directly at the mouth.
• Shape the boom before use: The boom is flexible and can be gently massaged into position. Take a moment before the event to shape it so the capsule sits consistently in the right spot. Once shaped, it should hold its position reliably through the event.
• Use the dual-ear adapter for active performers: If the wearer is an actor, or anyone who moves vigorously on stage, clip on the included dual-ear wrap-around adapter. It adds a second anchor point that keeps the headset stable even during energetic movement.
• Check your gain staging with an omnidirectional mic: Omnidirectional microphones pick up sound from all directions, which is great for natural sound but means they can also pick up more room noise or stage monitors than a directional mic would. Work with your sound engineer to set gain levels carefully and position stage monitors to minimize bleed into the mic.
• Protect the detachable cable connection: The detachable cable is a useful feature, but the connection point should be handled with care. When connecting or disconnecting the cable, hold the connector body rather than pulling on the cable itself. This will extend the life of both the cable and the headset body.

If you need help setting up or troubleshooting your system, GearTechs can help. Our team has real-world experience supporting churches, schools, businesses, and production environments.