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Technology for Worship:

It's what we do.

Welcome to Geartechs.com. We want to be your #1 source for pro audio, video, projection, and lighting equipment.

Our site offers the latest product reviews, how-to guides, news, and our blog to give you detailed insight and up-to-the-minute information that will help you discover exactly what you need.

   
Hand-picked Professional Audio Equipment.
Many dealers sell anything and everything. We sell what works. Get the right product every time at Geartechs.com.
   
Professional Video & Projection Equipment
Need something new, but aren’t sure what? Do your research, ask a pro and buy the right equipment here.
   
Lighting & Musical Equipment
In addition to pro audio and video gear, we offer select lighting and musical products to enhance your worship experience.

If you own a wireless microphone, you need to read this.

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Last week, the FCC released the date and details of both the start of spectrum incentive auctions and changes to the RF spectrum that will remain available for wireless microphones.  

With the ever-greater use of mobile broadband and the internet-of-things, the demand for RF bandwidth is immense, so television broadcasters are being asked to relocate and vacate, and secondary users like wireless microphones, wireless intercoms, and in-ear monitoring systems will be forced out, too.  

The start of the auctions will be May 31, 2016.  While details are not yet fully known, it appears that wireless microphone users will have 126MHz less RF spectrum available and that use of frequencies above 566MHz will become obsolete (and illegal) at some point.  

When users will be required to vacate the use of frequencies above 566MHz is not yet known, but in previous announcements, the time period of 42 months has been mentioned.  From this point forward, you will begin to see a transition to new technology, the reuse of the VHF spectrum and placement of microphones in the 900MHz and 2.4GHz portions of the RF spectrum.  

The primary takeaway from this announcement is that you should avoid purchasing wireless systems with operating ranges between 566-700MHz, if you plan to use them for more than a few years.  

If you have questions about how this impacts your set-up, or if we can help with planning during this time of transition, please be in touch.  And of course, we will keep you informed as we learn more. 

 

A projection screen to enhance the architecture, not hide It.

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Da-Lite Wireline Advantage Screens

Wireline™ Advantage® Eliminates Black Drop and the Compromise.

IMG 5800When we're asked to install a traditional projection screen in a room with soaring ceilings, elaborate stone work, a cross, and/or other architectural elements, it's often a challenge to place the screen at the appropriate viewing height without covering something up.  The way around getting the projection surface into the right location without having an exposed screen roller (or obscured aesthetic and design elements) requires what's called extra black drop.  Black drop is essentially an extended fabric border (above the projection surface) that can be several feet tall.  That extra fabric allows us to install the screen in such a way that roller itself is not seen, but adding the extra fabric usually requires some sort of visual sacrifice. 

Having screens manufactured with extra black drop is a good solution in many cases, but the new Wireline Advantage from Da-Lite has changed the way we look at new projects.  The Wireline Advantage uses thin steel cables up to 29 feet long, instead of black drop, to lower the screen surface to an appropriate viewing height, while hiding the roller enclosure. The result is a large display that is almost invisibly suspended at the right viewing height, leaving the architecture of the room right where you want it - in plain sight. 

The Wireline Advantage is designed for larger venues, and is a unique solution that will allow you to appreciate both your technology and your architecture. 

Please call us if you have questions about integrating the Wireline Advantage into your next project or upgrade. 

Click the Read More link below in order to view more project photos.

Read more: A projection screen to enhance the architecture, not hide It.

   

Can you help us with our sound system?

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"Dave, can you come to Sioux Falls to help us with our sound system?"

Prior to that call, we had worked together with the Ransom Church for some add-on products and accessories, but the new tech director wanted to talk with us about systems, so that we'd have a better understand of their needs as the church grew.

A couple weeks later, I boarded a plane to Sioux Falls, SD. From the cool vibe of the concrete-floored welcome area, I walked into the back door of the worship space where the tech director explained that weekend attendance was growing (from 300 to 1400 in under a year) and that the tech systems were straining under the load.

As he walked me around, I saw a lighting system that was well done, along with the audio and the video systems – both of which were recently installed.

Frankly, I wondered why I was there.

After a few minutes, I asked what types of issues they had and if I could hear the system. In a nutshell, the church had plenty of equipment, but the audio system did not sound good.

The space was loft-like in nature, having been an old auto parts warehouse. The wood trusses acted like a low ceiling, and the worship space was very wide, so acoustic volume was high near the platform, but didn't carry well toward the back, corner and side seating areas.  See "before" coverage map below.  The difference between yellow and purple areas is about 10dB, an apparent halving of acoustic volume. 

Ransom AC Before

As we discovered, the previous choice of main speakers was not poor equipment, but simply the wrong equipment.

Read more: Can you help us with our sound system?

   

Berklee Standardizes on Point Source CR-8D Earset Microphone

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SERIES8 mics expected to support up to 300 student-run productions each year

berklee singers 563

Student actors of Berklee College of Music perform wearing Point Source Audio's SERIES8 cardioid headset
(Photo Credit: Berklee College of Music)

Berklee College of Music - home to more than 4,000 students and a list of successful alumni who have collectively won more than 300 GRAMMYs and Emmy Awards - has standardized on Point Source Audio's SERIES8 cardioid headsets as their musical production microphone.

The Point Source mics debuted for the school's Berklee Performance Center Anniversary Concert: 100 Years of Musical Theater with a cast of 20 wearing the CR-8D headset.

"After doing our tests, we found the CR-8D to give the least coloration and the highest gain before feedback. I've used many other headset brands but by the time I completed tuning all of the rings out, the signal would be completely unrecognizable as a human voice. With the CR-8D headsets, the sound is much more natural after feedback corrections," reported Alejo Planchart, production manager in concert operations for Berklee. "The exact placement near the mouth of the singer was the most forgiving out of all the headsets I've used before and the noise handling was very minimal, which are two very crucial factors when working with student singers."

Responsible for over 2,200 events each year in six different performance venues, the production and theater staff at Berklee sought to find a robust headset microphone that could also deliver a highly directional pattern because many of their productions require floor monitors where feedback tends to be a major issue.

Berklee has many student-run productions and beginner students are still learning proper microphone placement so it was very important for Berklee to find a headset that would stay in place throughout numerous costume changes.

We find Point Source microphones to be an excellent choice for live speaking, singing and drama use, especially where floor monitors are in use.  Find more information and/or order your own CR-8D headsets here.  From $499. 

   

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